Mog is back and trying to decide where he stands on the issue of picture manipulation, in the light of the furore surrounding the disqualification of Stepan Rudik by World Press Photo.
To come to Fremantle makes me lucky enough, but to meet David Dare Parker and the other brilliant Australian photographers has been a sublime, photography-affirming, experience.
The morning after the launch-night before and I'm out enjoying the morning sun in Fremantle... The biennial festival of photography, known as FotoFreo, has kicked off for the fifth time...
Against those who would prefer that we look away, Georges Didi-Huberman's recent book Images in Spite of All argues that four horrific photographs from Auschwitz command our attention.
Guy Lane speaks to World Press winner Kent Klich about his Gaza Photo Album, media representations of Gaza, the current state of photojournalism, and the importance of bearing witness.
What are the standards of good documentary practice today? Does authorship bring with it the expectation of a personal position? Is an image "rooted in the real" really deserving of the integrity that realism conveys if the photographers themselves may avoid a moral stance?
The Afghan Hound went out to the border regions of the Kunar Valley and the badlands of Wardak to see how the respective sides of the battle are utilising ‘force protection’ vehicles to gain advantage over IED casualties.
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